‘No Man’s Land’ was selected for the NYSCA/NYFA Artist Fellowship: Painting 2021 category.
These paintings are scenes of “gahng-sahn” or enormous “lake-mountains,” those which form the terrain of Korea’s 38th Parallel. This parallel is a latitudinal demarcation separating the Korean peninsula into two nations, creating a geographic sectioning of a no-man’s-land, seeded with hidden yet active landmines. It is a 250KM/155.343-mile-long stretch of Korean nature, an isolated place, untouched and unventured for more than sixty years. It continues to exist as an artificial, imperialist, American-made boundary that has and continues to separate bodies, ideas, and spirit since the end of the Korean War.
‘NO MAN’S LAND’ (2019-2021)
No man's land 38°17'21''N 127°15'25''E, 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land 38°41'28''N 128°08'55''E 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land, 38°20'08''N 128°10'07''E, 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land, 38°32'58''N 128°28'43''E, 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land 38°28'06''N 128°08'48''E 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land 38°29'55''N 128°23'26''E, 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land 38°05'31''N 127°58'38''E, 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land 38°31'26''N 128°17'52''E, 2019, Oil on Canvas, 72 (H) x106 (L) inches
No man's land, 38°10'25''N 127°15'25''E, 2021, Oil on Canvas, 72 (H) x106 (L) inches
No man's land, 38°19'28''N 127°15'25''E, 2021, Oil on Canvas, 72 (H) x106 (L) inches